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Standards/Consortia: HTML and Media Format

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  • Why much of the [WWW] is closed off to blind people

    Ultimately, those pushing for digital accessibility argue that businesses have no excuse for dragging their feet over it.

    "It's not hard to do, it should just be part of best practice, not an additional line item, just like making sure a website loads quickly is," says Laura Kalbag, a website designer and author of Accessibility for Everyone.

    "It basically just involves HTML coding, which even a blogger can do. If it is a huge website, it might take some time, but the work itself is not complicated."

    She adds it is a myth that making a website accessible makes it ugly, there is no correlation - you can still have snazzy images and graphics.

  • Neil Young’s Boring, Prophetic Message to Readers

    To Feel the Music is the story of Pono, which was Neil Young’s quixotic attempt to create and sell a new kind of portable music player and download service. Something that didn’t crush recorded sound into nasty little MP3s. If you’ve read either of his previous books, Waging Heavy Peace and Special Deluxe, you’ll be familiar with his preoccupation—his obsession, his foreboding—in this area. Young has long contended that with digitization, the conversion of music into data, has come a terrible shriveling of our sonic universe. You’ll also be familiar with his distinctively dazed, American Primitive prose style: “You have to give your body a chance to absorb [music] and recognize how good it feels to hear it. The human body is incredible. It’s great! It’s made by God/nature, depending on your beliefs.”

    MP3s, and I’ll try to be as scientific as I can here, are evil. They go against God/nature by chopping music into numbers. I’m with Young 100 percent on this. Beautiful flowing music, sliced to bits! And what is the devil’s price for having the entire Tangerine Dream back catalog at your fingertips? Why, shitty sound quality. The sound coming out of my Bluetooth speaker is no longer a dimension; it’s a narrow pulse, a serrated wave. Bass-blurts, ragged spikes of treble, a terrible crowdedness or crammedness in the midrange. My old-fart ears are squeaking in discomfort. The acoustic environment, like every other environment, is being degraded.

    But it doesn’t have to be, is Young’s point. We’ve all settled for this, because Steve Jobs said so. [...]

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[libre-riscv-dev] power pc

So as you know, the RISCV Foundation is seriously impeding progress. There
is huge momentum around RISCV itself, however as far as open *innovation*
is concerned, the sheer arrogance of the Foundation in failing to respect
the combination of Libre goals and business objectives has us completely
isolated from key critical resources such as the closed secret lists and
wiki.

We cannot even get access to documentation explaining how to propose new
extensions.

I have been considering for some time to reach out to MIPS and PowerPC.
Yesterday I wrote to the OpenPower Foundation and was really surprised and
delighted to hear back from Hugh Blemings, whom I worked with over 20 years
ago.

I outlined some conditions (no NDAs, open mailing lists, use of
Certification Marks and Compliance Suites) and he replied back that this
was pretty much along the lines of what they were planning.

I will have a chat with him some time, in the meantime I found the spec:

https://openpowerfoundation.org/?resource_lib=power-isa-version-3-0

It is eeenooormous, however Hugh reassures me that they want to break it
into sections.

Why would we even consider this?

The lesson from RISCV is really clear: if the ISA is set up as a cartel,
Libre innovation is not welcome.

If we had a goal to just *implement* a *pre existing* Extension, there
would be no problem.

It is the fact that we wish to implement entirely new extensions, for CPU
and GPU *and* VPU purposes, but not as a separate processor (which would be
classified as "custom") that is the "problem".

So starting at page 1146, we need to work out how to shoe horn a ton of
stuff into the ISA, as well as fit 16 bit compressed in as well.

L.
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