Embracing open source as a visual artist
I'd heard about Linux, but I thought it was scrolling green terminal output on black monitors for Hollywood hackers and geeks. Reading Sennett write about Linux in such a way that connected free, open source software to craftsmanship (and radical, avant-garde politics) piqued my interest. Unhappy with the standard computing options and wanting a deeper understanding of the means of media production, I made a leap into the void and built a Linux desktop. It was my first rig and my first distro (Ubuntu). The learning curve was steep and the new environment put a serious hamper on my creative output as there was no 1:1 correlation between the tools with which I was familiar. I began working with openFrameworks and while a visualist-in-residence at The Institute of Cultural Inquiry, created my first truly open source art work.